how much sb weighs in at / may be worth, linked to problem of proper rights / measure. Question of pwr / role. Implies no substance," /> how much sb weighs in at / may be worth, linked to problem of proper rights / measure. Question of pwr / role. Implies no substance," />
sillagescritiques. revues. org/2544
Act several sc 2 l83-164
1) Who as well as where / when & possibly how come
2) Obvious elt: remarkable irony => 2 levels of reading
3) Lucio as well as Duke both equally serve as go-btwn in the play, go from group to a different. Both lead to knitting all different trends in play.
4) Importance of make use of words, which can be all which going on from this particular draw out 5) Lucio paired with other char, all kinds of unlikely mixtures in play, for eg with Isab at convent. Here also, unlikely blend Lucio = unscrupulous char etc . sometimes called buffoon but in reality here actually comic char. More ingenious than buffon. In Shak, not really buffoons, rather clowns or fools. In case of Lucio -> imaginary gentleman. Specific intelligence presently there.
6) Place: prison. Problem: why is Lucio hanging around the prison? What is he performing there? Might be bec his friend Claudio is in penitentiary & in danger of being carried out. Maybe bec he loves gossiping. Or perhaps bec she has denounced Mistress Overdone (cf passage merely B4 with Pompey, practically gloating regarding fact that your dog is still in particular while other people have been completely arrested to get similar fault). Ambivalent char (hard to state if he is there permanently reasons or perhaps not). 7) Short imitation of this come across at end of IV, 3 when Lucio lumps into Duke again & engages conservation while Fight it out relunctant to interact conversation. Concept of pattern? 8) When? (in term of plot & structure of play) for instance -> series of 1 to 1 scenes, esp clash Isab / Claudio. Immidiately following this very intensely dramatic landscape, passage on fairly lighter note. Continuous shift in mood in play according to who may be speaking / what they talk about. Here in III, 2: though stability in space (prison) in III, there are diverse moods changing rapidly 9) In prose!!!! Most passages mix up prose as well as verse. Duke in prose when handling Lucio => very significative. Indicates switch in feelings.
10) Need for language & words
Locate what appears important in passage. Themes -> deceit
Equal discuss of the discussion.
Reccurrent expressions -> various terms associated with the work of speaking. Char speak about act of speaking. Likewise idea of knowledge. What you notify or no longer tell, notion of top secret. How phrases & knowledge connected with pwr. Lucio completely misjudges his own terms / expertise / pwr. Significance of word " deceive” at beg & end of passage. Phrase used by Lucio, " you are deceived” l. 120 + d. 162 " though art deceived in me”. Having being robbed? -> Lucio himself! that is deceiving which? Why? How? -> concealed ruler idea. Play relies on 3 equipment (disguised leader / bedtrick / … ), right here disguised leader functioning.
Issue of slander (only likely bec leader is disguised)
Generic term -> sort of example of instability of enjoy, close to humor (but not overt simplified comedy like Elbow / Pompey exchange), here even more satirical inference, more complex. one particular
Thematic implication -> notion of pwr & performances. Friar looks harmless person, but undercover dress hides Duke's pwr. Pompey makes rmk about facing outward show of pwr l. 10 -> rich can get apart with anythg bec have on right outfit etc . Right here not to the outside show nevertheless pwrful existence. Question of disguise interesting. Duke disguised as friar (1st level). Lucio likewise disguised in such a way: put on multiple identities, hs discourse constantly changes, adapts to condition: slanders Duke then friar in V. There are various other disguise than mere costume. Also conceal that defends rich & pwrful, simply poor reprimanded. L197 Lucio " in good suit, the vice.. well allied”. Only second level indiv taken to jail (Pompey, Mistress Overdone etc).
Language & function of language in passage: how come words so important in this passageway? Words make worlds, situations, characters. It�s this that Lucio does: uses lang to create type of parallel universe, his individual char with the Duke, his own function in what Fight it out is doing (whole story within story). Duke's disguise being set in parallel with Lucio's disguise developed by his own...
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